| Date | Composition | Medium | Duration |
|---|---|---|---|
| 2014 | Three Pieces for Piano | piano | 11' |
| 2015 | Expansions | flute, b-flat clarinet, bassoon, vibraphone/marimba, piano, violin, viola, cello | 13' |
| 2015 | Sum | orchestra | 9' |
| 2016 | Axis | piano | variable |
| 2016 to 2017 | Composition for Four Instruments | b-flat clarinet, bass clarinet, violin, cello | 9' |
| 2017 | Rotation | harp and piano | 5' |
| 2017 | Piano Piece No. 5 | piano | 11' |
| 2018 | Emergent Fragments | string quartet | 15' |
| 2018 | Scattered Members | flute (piccolo), oboe (english horn), b-flat clarinet (bass clarinet), bassoon (contrabassoon), horn, trumpet, trombone, percussion, piano, violin, viola, cello, double bass | 22' |
| 2018 | Cycling Through Cycles | bass clarinet and piano | 8' |
| 2019 (revised in 2021) | Modules | electronic | 15' |
| 2019 | Byntax | electronic | ca. 25' to 45' |
| 2020 | Piano Piece No. 6 | piano | 7' |
| 2020 | Attractors | live electronics | variable |
| 2020 | Embeddings | live electronics | variable |
| 2020 | Apollo | electronic | 22' |
| 2020 | Fragment | electronic | 2' |
| 2020–2021 | Dionysus | electronic | 21' |
| 2021 | Attractors (Fixed Media Version) | electronic | 30' |
| 2021 | Substances | percussion and electronics | variable |
| 2021 | Three Studies | electronics | 11' |
| 2022 | Apollo's Descent | electronics | 9' |